Andrus, FDR, Foreign Policy, John Kennedy

On This Day

FDRFDR’s Arsenal of Democracy Speech

Seventy years ago this evening – December 29, 1940 – Franklin D. Roosevelt delivered one of the most important speeches of his presidency and helped set in motion a vast expansion of presidential power in the realm of foreign affairs.

Fresh from re-election a month earlier to an unprecedented third term, Roosevelt used one of his tremendously effective “fireside chats” via radio to proclaim America “an arsenal of democracy” determined to aid a beleaguered Great Britain that seemed to be on its last legs against Hitler’s powerful army and air force.

Speaking from the Diplomatic Reception Room in the White House, Roosevelt said this would not be “a fireside chat on war,” but rather “a talk on national security.” He proceeded to lay out what he saw as the threats to the United States if the British, blockaded and bombed, were forced to capitulate to the Germans. While the speech was widely praised and well accepted, not everyone, to say the least, agreed. [You can hear the full speech, including the fascinating CBS announcer’s introduction here.]

The non-interventionist bloc in Congress remained very strong in 1940 and 1941. Roosevelt was concerned enough about the anti-war sentiment in the country that he made comments near the end of his 1940 campaign against Republican Wendell Willkie that he would have to eat. He famously said “our boys are not going to be sent into a foreign war.”

Montana’s progressive Democratic Sen. Burton K. Wheeler condemned Roosevelt and his advisers as “warmongers” and Wheeler urged the president to utilize his position and leverage to seek a negotiated end to the fighting in Europe. (Idaho’s William E. Borah, a Republican, who had died in January 1940, surely would have agreed with Wheeler and other leading non-interventionist like Ohio’s Robert Taft and California’s Hiram Johnson, both Republicans.)

Roosevelt followed up his “arsenal of democracy” speech with legislation – forever known as Lend-Lease – that gave the president, in Wheeler’s view and it was a credible view, vast new powers – even dictatorial powers – to aid those countries, debt free, that the president deemed vital to America’s national security. By the end of the war in 1945, Lend-Lease had supplied $50 billion (more than $750 billion in today’s dollars) in material to Britain, the Soviet Union, France and China.

There is little debate that the aid was essential to the war effort. No less an authority than Josef Stalin confirmed that when he told FDR that American equipment had allowed the Allies to win the war. There is also little debate around the fact that Lend-Lease, and Roosevelt’s administration of the program, finally and forever shed the American foreign policy cloak of non-intervention or isolationism. With Lend-Lease, the country was committed to full and unrelenting international engagement and the country has seldom looked back since the act was signed into law in March 1941.

Fundamentally, what Montana’s Wheeler and Idaho’s Borah, among others, were objecting to was the inherent expansion of presidential power in the realm of foreign policy. Wheeler repeatedly warned of the rise of “an American dictator” who would run over the top of the Congress in the establishment of foreign policy.

History has recorded that FDR, while not always candid or even completely honest about his intentions, used his vast foreign policy power with restraint and with a deep commitment to democracy. But those who opposed Roosevelt, even if now mostly forgotten, have also been validated by history. The steady expansion of presidential power in the area of foreign policy that, in many ways, began on a December evening 70 years ago continues to this very day.

The United States has spawned no dictator as Sen. Wheeler feared, but we do have a commander in chief whose power to involve the country militarily in every corner of the globe is routinely unchecked and often not even really debated by the Congress. Franklin Roosevelt’s legacy is well recognized for its sweeping impact on domestic policy, but the 32nd president’s legacy in foreign policy is just has profound and it began with a speech on this day seven decades ago.

Boxing, Clinton, Foreign Policy, Montana

Shelby’s Folly

Jack Dempsey Tommy GibbonsThe Crowd Went Wild…and Banks Failed

One of the most fascinating stories in the history of boxing was hatched over a several month period in the spring and summer of 1923 in the tiny hamlet of Shelby, Montana.

Jack Dempsey, the heavyweight champion of the world and one of the greatest personalities of that era (that’s him in the white trunks), came to Montana in that long ago summer to defend his title against a tough Irishman named Tommy Gibbons. Shelby barely survived.

The story of Shelby’s brief brush with international sports celebrity is ably told in a new book – Shelby’s Folly: Jack Dempsey, Doc Kearns and the Shakedown of a Montana Boomtown by Jason Kelly. The book was published by the University of Nebraska Press. Kelly’s book is both rich 1920’s American history and a cautionary tale about what can happen when a gaggle of slick promoters, a few local Chamber of Commerce-types and a big-time sporting event converge in a town, well, way out in the sticks.

In 1923, Shelby was a wind swept spot on the Montana map not far south from Glacier National Park. The young town was trying to make a go of it as a center of oil and agricultural production, but Shelby was hardly on the way to anywhere. A wealthy local businessman and his big thinking son thought Shelby had the potential to be “the Tulsa of the Northwest” and they hatched the idea to stage a heavyweight title fight in Shelby in order to put the town on the map. It worked, although not the way they intended.

The Montana hotshots found willing players in Dempsey and his flamboyant manager Doc Kearns. Kearns always sported a wild wardrobe, including dark blue shirts and yellow ties, and he and his celebrity fighter were eager to go anywhere, even Shelby, for a guaranteed $300,000 pay day.

After much haggling the big fight was set for July 4, 1923. Local promoters imported, at great expense, thousands of board of feet of lumber to build a massive, 40,000 seat outdoor arena and arranged for a nationwide ticket sale effort. The idea was that special trains would carry fight fans, willing to pay a King’s Ransom of $50 for a ticket, from as far away as Los Angeles and Chicago.

Tommy Gibbons moved his wife and family to Shelby and set up a training camp. His only compensation – a little cash to offset training expenses and a shot at the champion’s title. Dempsey, after doing a little fly fishing on the Missouri River, set up his camp in Great Falls about 50 miles away.

Meanwhile, the financial plans of Shelby’s fight promoters went seriously south and the locals were having trouble coming up with Dempsey’s upfront fee as ticket sales lagged. At one point Kearns was offered 50,000 head of sheep in lieu of the cash he’d been guaranteed. He replied, “Now just what the hell would I do with 50,000 sheep in a New York apartment?”

Eventually, with Kearns holding the bout for ransom, the fight did come off, with most of the 40,000 seats empty and many fans sneaking in without paying anything. Dempsey, on a brutally hot afternoon, went the 15 round distance with Gibbons who had become a favorite of the local press and public. There is some great film of the bout that gives a sense of the arena and the crowd in Shelby, as well as the brawling style of the two fighters.

When he returned years later to help celebrate the 35th anniversary of the big fight, Gibbons was treated as though he had won the Shelby showdown. “I always get a kick out of those people,” Gibbons said. “To them, I won the heavyweight championship.”

Dempsey remembered years later that the Montana folks hadn’t liked him quite so much.

“For the first and only time, I was more worried about getting hurt by the crowd than by the guy I was fighting,” Dempsey said. “I got a pretty good blast when introduced. The crowd was hollering and raising hell. I looked around for my bodyguard, a colorful New York character named Wild Bill Lyons, who packed two pearl-handled pistols and used to talk a lot about his days in the West. Wild Bill was under the ring, hiding.”

Dempsey retained the world heavyweight title until 1926. He was a sports celebrity to rival Babe Ruth or Red Grange in the sports mad 1920’s and 1930’s and he lived out a long and profitable life as a former champ until his death at 88 in 1983.

Gibbons, like Dempsey a member of the Boxing Hall of Fame, never won the big title, but did go on after his impressive ring career to serve four terms as the Sheriff of Hennepin County, Minnesota where, by all accounts, he was enormously popular and effective.

Shelby didn’t fare so well. As Kelly writes, “For years afterward, people would say to Kearns, ‘You and Dempsey broke three banks with one fight.’ He considered that a misinformed slur. ‘We broke four,’ Kearns would respond, correcting the record.”

The chief local promoter lost thousands of dollars and the merchants who were hoping to make a killing on the big crowd didn’t.

The colorful villain in Kelly’s fine little book is Dempsey’s manager Doc Kearns who the great Los Angeles Times sports columnist Jim Murray eulogized in 1963 as the last of his kind of boxing shysters.

“There must be a no-limit crap game going on in the Great Beyond today,” Murray wrote upon Kearns’ death, “Or a high-stake poker game with a marked deck. Or some kind of graft. Otherwise, Doc Kearns would never have left here.”

Then, obviously with Shelby, Montana in 1923 in mind, Murray added, “Maybe there’s a nice little town that should be bilked. Or a nice little guy whose pockets are leaking money and he trusts people.”

Argentina, Boxing, Football, Foreign Policy

An Argentine Icon

firpoDempsey vs. Firpo – A Fight For All Time

Only the most die hard American sports fan is likely to recognize the name Luis Angel Firpo. In Argentina he is a national icon thanks, in part, to one big fight and one amazing painting.

In 1923 Jack Dempsey was the biggest name in sports. The heavyweight champion of the world took a backseat to no one, not even the great Babe Ruth.

In 1923, Luis Firpo, nicknamed “the wild bull of the Pampas,” was a handsome, strapping, 6′ 2″ heavyweight contender who had made a name for himself by beating, among others, former champ Jess Willard. On September 24, 1923, Dempsey and Firpo met before 80,000 fans at the Polo Grounds in New York. The fight was over inside of two rounds, but what a brawl it was.

Within a few seconds of the first round Firpo knocked Dempsey down with a hay maker, but Dempsey bounced back to knock the Argentine down an unbelievable seven times. (No three knockdown rule and no neutral corners in those days.) Firpo somehow survived the onslaught and kept on punching. Just before the end of the first round he hit the champion so hard that Dempsey fell through the ropes and out of the ring. Dempsey landed on the press table.

That moment – Luis Firpo knocking Jack Dempsey out of the ring – is captured in George Bellow’s famous painting.

Amazingly, somehow Big Jack pulled himself back into the ring and the round ended. The slugfest continued in the second round with Dempsey finally knocking Firpo out to retain the championship. Firpo pocketed more than $150,000 for the fight, a lot of money in 1923. He went on to fight a while longer, but used his smart business sense to parley his boxing skill into a fortune. Luis Firpo died in 1960, but is well remembered in Argentina where statues have been erected in his memory.

The Bellow’s painting hasn’t hurt either man’s reputation either. Firpo is the only man to ever knock Dempsey out of a boxing ring. Dempsey was tough enough to take it and still prevail. The picture has been reproduced a million times. If I ever own a place where you can get a beer and shot I know what would hang behind the bar.

There you have the Argentine roots of the one of the greatest boxing matches of all time and the origin of a painting the Smithsonian ranks as an American masterpiece.